Himeji-Jyo

๐—ฌ๐—ฒ๐—ฎ๐—ฟ ๐—ฐ๐—ฟ๐—ฒ๐—ฎ๐˜๐—ฒ๐—ฑ : 2023
๐——๐—ถ๐—บ๐—ฒ๐—ป๐˜€๐—ถ๐—ผ๐—ป๐˜€ : F6 (410ร—410mm)
๐— ๐—ฒ๐—ฑ๐—ถ๐˜‚๐—บ : Acrylic paint and marker pens on canvas
๐—˜๐˜…๐—ฝ๐—น๐—ฎ๐—ป๐—ฎ๐˜๐—ถ๐—ผ๐—ป : 
ใ‹ใคใฆๅŸŽใŒไฝฟใ‚ใ‚Œใฆใ„ใŸๆˆฆๅ›ฝๆ™‚ไปฃใฏใ€ๆ—ฅๆœฌใงใ™ใ‚‰็”ŸๆญปใŒ้šฃใ‚Šๅˆใ‚ใ›ใฎๆ—ฅๅธธใงใ‚ใฃใŸใ€‚ๆฑบๆญปใฎๆ€ใ„ใงๅฎˆใ‚ŠๆŠœใ‹ใ‚ŒใŸๅŸŽใซใ€ๆ•ฌๆ„ใจๅฟตใจๆตชๆผซใ‚’ๆ„Ÿใ˜ใšใซใฏใ„ใ‚‰ใ‚Œใชใ„ใ€‚
The Sengoku period in Japan, when castles were once actively used, was a time where life and death were often on the edge. One cannot help but feel respect, reverence, and a sense of romance for the castles that were fiercely defended with unwavering determination.

SAYAKA KONDO

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